The discussion piece also notes some of the other North American museums that have acquired material once owned by Edoardo Almagià, including the Dallas Museum of Art, the Tampa Museum of Art, and Boston's Museum of Fine Art.
I conclude with the question: "How can Princeton proceed and seek to restore its patinated reputation?"
Gill, D. W. J. 2012. "Context matters: Princeton and recently surfaced antiquities." Journal of Art Crime 7: 59-66.