... today, for the first time, she is talking openly about the way she and her museum-world colleagues operated. Yes, she did recommend the Getty acquire works she knew had to have been looted. That statement, though, comes with a qualifier:
If she found out where a work had been dug up from, she pushed for its return. In contrast, many of her colleagues did little, if anything, to research a work’s source. None of them were put on trial.She described her position on recently surfaced material:
“The art is on the market,” True said, describing the Getty’s collecting approach. “We don’t know where it comes from. And until we know where it comes from, it’s better off in a museum collection. And when we know where it comes from, we will give it back.”I have commented on Marion True's position on a new ethical position before and raised issues about some of the material that was acquired during her curatorship.