I have been working my way through Barbara Cavaliere and Jennifer Udell (ed.), Ancient Mediterranean Art: The William D. and Jane Walsh Collection at Fordham University (New York: Fordham University Press, 2012) [Review in BMCR].
I was disappointed in the presentation of the catalogue. Where are the full collecting histories for each piece? How did they enter the Walsh collection? When? Who were the previous owners?
The limited information is likely to be significant.
The entries for the coins (nos. 93-103) do not contain collecting histories.
Some of the information on the antiquities includes:
Atlantis Antiquities, New York
Greek and Etruscan Art (1988): no. 16, cup fragment
Christie's, New York
1995, December 7, lot 98: inv. 4.016, Faliscan stamnos
1999, June 4, lot 11: no. 11, Attic neck-amphora; lot 26, no. 35, terracotta Eros; lot 32, no. 36, terracotta thymiaterion; lot 52, no. 33, Gnathian situla; lot 72, inv. 7.050, Etruscan kylix; lot 74, inv. 7.024, Etruscan chalice
1999, …
I was disappointed in the presentation of the catalogue. Where are the full collecting histories for each piece? How did they enter the Walsh collection? When? Who were the previous owners?
The limited information is likely to be significant.
The entries for the coins (nos. 93-103) do not contain collecting histories.
Some of the information on the antiquities includes:
Atlantis Antiquities, New York
Greek and Etruscan Art (1988): no. 16, cup fragment
Christie's, New York
1995, December 7, lot 98: inv. 4.016, Faliscan stamnos
1999, June 4, lot 11: no. 11, Attic neck-amphora; lot 26, no. 35, terracotta Eros; lot 32, no. 36, terracotta thymiaterion; lot 52, no. 33, Gnathian situla; lot 72, inv. 7.050, Etruscan kylix; lot 74, inv. 7.024, Etruscan chalice
1999, …