Showing posts with label Laconian. Show all posts
Showing posts with label Laconian. Show all posts

Monday, 6 July 2026

The Carlos: Don't Mention the Donor

Source: MCCM.
Loan from the Republic of Italy

The Michael C. Carlos Museum at Emory University has issued a "story" about their acquisition of looted Laconian pottery fragments from Italy ("Thieves, soda cans and an ancient vessel"). There is no mention of the donor in this new report: "the five sherds were photographed in the collection of the individual who donated them to the Carlos". It is more than significant that the donor was the late Dietrich von Bothmer who has been linked to a number of sherds that have had to be returned to Italy. Why does the "story" fail to name one of the most prolific modern collectors of pottery fragments? 

Henry Kim, the director of the Carlos, reminds us of the importance of transparency: "It’s a notion based in fear ... which the Carlos staff counteracts through vociferous transparency about their own efforts." Perhaps he needs to reflect a little more on the meaning of obscured transparency.

See Gill, D. W. J., and C. Tsirogiannis. 2024. "Fragmented pots and Dietrich von Bothmer." MAAR 69: 535–94 [online].  

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Friday, 24 January 2025

Francavilla Marittima and the links to Switzerland

Fragment of plate
formerly in the Michael C. Carlos Museum
In 1979 the J. Paul Getty Museum acquired ‘a large collection of fragments of Corinthian pottery (79.AE.110) and Italian imitations of Corinthian wares (79.AE.111)’. A similar batch of material was purchased by the Archäeologische Institut der Universität Bern. As a result of research by Vera Uhlman several joins between the two collections (‘primarily from alabastra and pyxides’) were established, and a ‘set of fragments of Corinthian vases and local Italic imitations of Corinthian pottery’ were exchanged (83.AE.276). In addition, a number of plastic vases had been acquired in 1978 from ‘a private collection in Switzerland’ (78.AE.271) that were ‘part of the contents of an ancient favissa said to have been discovered in Lucania’. The combined number of fragments was in the region of 3,500. 

The fragmentary pieces appear to have come from a sanctuary at Francavilla Marittima inland from the Greek colony of Sybaris. Subsequently this cache of material was returned to Italy in 2011. 

Two more fragments linked directly to Francavilla Marittima have been returned to Italy from the Michael C. Carlos Museum at Emory University (2005.026.001). The fragment of a Wild Goat style plate joined two other fragments: one found at the Timpone della Motta sanctuary, and another in the collection of the Ny Carlsberg Glyptotek in Copenhagen. The Carlos Museum fragment had formed part of the collection of Peter Sharrer and had been acquired at a sale of fragments at Sotheby’s (New York) in June 2005: the fragment is reported to have been in a private New York collection since 1976. 

Fragments formerly
in the Bothmer collection
and given to the
Michael C. Carlos Museum;
now on loan to the museum
The second set of Carlos Museum fragments consisted of a Laconian cup (2006.042.001A and B; now on loan to the museum) that had been acquired from Dietrich von Bothmer. Bothmer had acquired his fragments from Hans Jucker, professor of classical archaeology at the University of Bern, Switzerland. The Bothmer fragments joined fragments found at the Timpone della Motta sanctuary. 

It is perhaps significant that a fragment of a Laconian cup attributed to the Boreads painter formed part of Bothmer’s collection (New York MMA 2011.604.9.10): it ‘joins fragments at the Archaeological Collection, University of Zurich (Inv. 5942), formerly in the Ines and Hans Jucker-Scherrer Collection (by 1960s)’. 

Given that Bothmer clearly obtained material from Francavilla Marittima for his collection, which other pieces may also come from that source and perhaps join fragments derived from excavations there? 

James Cuno has noted that it was Sharrer who sold a collection of pottery fragments to Harvard University Art Museums. Are there any potential fragments from Francavilla Marittima residing in that location?

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Wednesday, 15 January 2025

Bothmer and Francavilla Marittima

Source:
Michael C. Carlos Museum
The Michael C. Carlos Museum has handed over ownership of two Laconian cup fragments that had been donated by Dietrich von Bothmer in 2006 [press release]. The fragments were acquired from Ines Jucker in 1985. The pieces fit excavated fragments from Francavilla Marittima.

Fragments of a Wild Goat plate (acquired in 2005) have already been repatriated from the Carlos. Several thousand fragments from the same site have been returned from the J. Paul Getty Museum and the Institute of Archaeology in Bern. 

In November 2024 the Carlos announced that it had returned fragments from two Attic red-figured kraters to Italy in December 2023 [press release]. What other Bothmer fragments should be returned to Italy? 


Mittica, G. 2018. Francavilla Marittima: Un patrimonio ricontestualizzato. Vibo Valentia: Adhoc Edizioni.
Gill, D. W. J. 2024. "The Michael C. Carlos Museum Returns Antiquities." Journal of Art Crime 31: 3–9.
Gill, D. W. J., and C. Tsirogiannis. 2024. "Fragmented pots and Dietrich von Bothmer." Memoirs of the American Academy in Rome 69: 535–94. [Open Access]


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Monday, 30 October 2023

Michael C. Carlos Museum and Italy

Source: Michael C. Carlos Museum


There have been unannounced developments at the Michael C. Carlos Museum at Emory University (no mention in the press releases). At least three items have had their title transferred to Italy on 29 August 2023 and now appear as loans. I am grateful to Dr Cynthia Patterson who spotted the changes to the records.

The objects include:
  • a Laconian cup attributed to the Rider painter (L2023.004.003). Surfaced via Palladion Antike Kunst, Basel (from at least 1988; first published by Conrad Stibbe in 1990); purchased from Palladion.
  • an Attic black-figured Band Cup (L2023.004.001). Surfaced via Palladion Antike Kunst, Basel (from at least 1975 when it appeared in an advertisement in Apollo); Brian T. Aitken, Acanthus Gallery, New York.
  • an Apulian volute-krater attributed to the Underworld painter (L2023.004.002). Surfaced in Galerie Hydra (Christian Boursaud), Geneva (by 1986); Pierre Sciclounoff (1926-1997), Geneva; purchased through Christoph Leon. 
Galerie Hydra is discussed in Peter Watson's, Sotheby's: Inside Story (1997). The Apulian krater appeared in: C. Aellen, A. Cambitoglou, and J. Chamay, Le Peintre de Darius et son Milieu: Vases grecs d'Italie méridionale (Hellas et Roma, vol. 4. Geneva: Association Hellas et Roma, 1986), 190–99 (Sciclounoff collection); A. D. Trendall, Red Figure Vases of South Italy and Sicily; A Handbook (London: Thames and Hudson, 1989), 261, fig. 210.

Can we presume that the Minoan larnax, known from the Becchina dossier, will be transferred to Greece in the near future? And what about the other material handled by Palladion Antike Kunst? 

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Friday, 24 September 2010

Laconian krater returns to Sicily

The Italian Ministry of Culture has announced that a Laconian krater seized during Operation Andromeda has been returned to Sicily and placed on display in Gela (press release, September 24, 2010). It appears that the krater, attributed to the Hunt painter, was recognised from the press show in the Colosseum earlier this summer. The krater had apparently been in a private collection in Gela, and had then passed through the hands of Giacomo Medici and Robin Symes; at some point it is reported to have been sold at Sotheby's in London.

The krater is said to have been recovered from the basement of a Swiss accountant who is linked to the Japanese dealer Noryioshi Horiuchi.

Pots attributed to the Hunt painter include a piece identified in Madrid, formerly in the Várez Fisa collection, and a cup returned to Italy from New York's Metropolitan Museum of Art.

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Monday, 26 July 2010

Laconian pottery in Madrid

I note that the Laconian cup attributed to the Hunt painter (though there is some disagreement) and formerly in the  Várez Fisa collection (Madrid inv. 1999/99/45) appears to be the same as the one sold at Christie's London 13 December 1995, lot 224, for £34,500 ($52,871). (Christos Tsirogiannis has come to the same conclusion.) The cup is listed as "The property of a private collector".
The tondo decorated with a komast scene, a standing figure playing the double pipes whilst two dancers dance energetically, a bird in the field, with two birds on either side of a columned altar in the field below, with radiate design on the underside.
4¾in. (12cm.) high; 8¼in. (21cm.) diam. excl. handles.

Who consigned the cup to Christie's? What was its collecting history prior to 1995? Who was the anonymous private collector?

  • Cabrera Bonet, P. Editor. 2003. La colección Várez Fisa en el Museo Arqueológico Nacional. Madrid: Ministerio de Educación, Cultura y Deporte. No. 46.
  • Warden, P. G. Editor. 2004. Greek vase painting: form, figure, and narrative. Treasures of The National Archaeological Museum in Madrid. Dallas: Southern Methodist University Press. No. 11



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A volute-krater with a "tremendous provenance"

A volute-krater attributed to the Syriskos painter by J.R. Guy (see BAPD 44988) is said by Michael Padgett to have been found with a psykter...