A head of Hermes from a genuinely old Italian collection

Source: San Antonio Museum of Art

Among the deaccessioned items from the San Antonio Museum of Art in January 2022 was a marble head of Hermes. The head was excavated on the Caelian Hill in Rome between 1887 and 1891: it was first published in 1894.

It is reported to have been sold to Gilbert Denman in 1971 by Alfredo Turchi (Rome) and subsequently given to the museum in 1986 (inv. 86.134.145). 

Carlos A. Picón published images of the head, "which entered the newly established Department of Antiquities at the San Antonio Museum of Art in 1986", in 1995. In a footnote he claimed that it was unpublished.

The head was identified by Jörg Deterling  in 2016 who recognised it from the original Italian publications.

Picón, C. A. 1995. "Polykleitan and related sculptures in American collections: recent acquisitions." In Polykleitos, the Doryphoros, and tradition, edited by W. G. Moon: 229–45. Madison: University of Wisconsin Press.

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Further returns to Italy from San Antonio Museum of Art and Shelby White

Oinochoe fragment
attributed to the Harrow painter
returned from
the San Antonio Museum of Art.
Source: San Antonio Museum of Art

The Manhattan DA has reportedly returned 14 more antiquities to Italy: though the objects and images presented at the press announcement counted 16 ("D.A. Bragg Returns 14 Stolen Antiquities to Italy", Manhattan DA February 2, 2023). Two sources were acknowledged: Shelby White and the San Antonio Museum of Art. The third, the source of a silver coin, was left anonymous in the press release.

At least three of the objects appear in the Glories of the Past catalogue of the Shelby White and Leon Levy collection. The release gives further information about the Attic black-figured hydria attributed to the Priam painter.

The piece first surfaced in Italy after being looted by Giovanni Franco Becchina, a well-known antiquities trafficker. From Italy, the piece was then smuggled and laundered by Paris-based Robert Hecht. Hecht ultimately sold the piece with false provenance to Shelby White in New York County in 1989.

These add to the 14 pieces featured in the catalogue that have been returned to Greece, Italy and Turkey.

The nine pieces featured in the images at the press statement are derived from the San Antonio Museum of Art. The objects are derived from several sources: Sotheby's in London; Christie's in London and Geneva; Galerie Palladion Antike Kunst; Galerie Günter Puhze; Royal Athena Galleries; Robin Symes. For example, the oinochoe fragment attributed to the Harrow painter surfaced through Galerie Palladion Antike Kunst, and was sold to Gilbert M. Denman, Jr. by Robert Hecht.  The nine objects may be added to other pieces that were handed over in 2022. We are also expecting further details about three other objects derived from Frederick Schultz that have been handed over by the museum. 

Three other objects featuring in the press statement have yet to be linked in a formal way to a specific collection though Christos Tsirogiannis has identified two of them in the Becchina archive and one in the Schinousa archive. 

The final piece is a silver coin.

The Sicily Naxos Coin. Minted circa 430 B.C.E in the Greek colony of Naxos, on Sicily, this silver coin features the bearded Dionysus on one side and his squatting drinking partner, Silenus, on the reverse. The Sicily Naxos Coin first surfaced on the international art market in 2013, when a known trafficker offered the coin for sale with no provenance whatsoever. Prior to its appearance at a London-based auction house, a co-conspirator of the trafficker supplied false provenance for the coin. The Sicily Naxos Coin is currently valued at $500,000 and was among a group of coins seized at JFK airport as it was being smuggled into New York pursuant to an ongoing joint investigation between this Office, HSI, and Italy. At least one individual has been arrested in the course of this investigation with more to follow.

Three Shelby White pieces, nine objects from San Antonio, one silver coin, and three other pieces equal 16 objects (not 14).

Objects from the San Antonio Museum of Art and in the Shelby White and Leon Levy collection were the subject of an extended discussion by Chippindale and Gill in the American Journal of Archaeology back in 2000. 

Chippindale, C., and D. W. J. Gill. 2000. "Material consequences of contemporary classical collecting." AJA 104: 463-511. [DOI]

LM expects to add further detail to this summary in due course.

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Barbarano Romano: the Attic fragments

Source: San Antonio Museum of Art

The San Antonio Museum of Art will be returning 192 fragments of Attic black-figured, red-figured and black-glossed cups to Italy. They are reported to have been found at Barbarano Romano to the south of Viterbo and were sold to Gilbert M. Denman, Jr. by Edoardo Almagià in 1985; Denman gave the fragments to the museum the following year (inv. 86.134.196). 

The Steinhardt legal papers cite two pieces of correspondence about pottery fragments from Barbarano Romano: the recipient is clearly in Texas. Almagià states the findspot and explained how the fragments were removed to Switzerland, and then moved to New York where they were cleaned and grouped with the help of a vasologist. Further fragments from the site were then noted, though they remained in Italy. 

It is unclear if the San Antonio fragments and the Texas letters are linked. But this does raise issues about other pot fragments that were handled by Almagià and those associated with him. 

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San Antonio Museum of Art and returning antiquities

Olpe formerly in the San Antonio Museum of Art

Back in 2012 Chasing Aphrodite identified material in the San Antonio Museum of Art that was linked to Edoardo Almagià. 

It is now clear that a number of items were deaccessioned in February 2021 and have now formed part of a major return of objects to Italy. The museum has an oblique reference in the Manhattan DA Press Release. 

The two pieces that were identified by Chasing Aphrodite are indeed here.

a. An Attic red-figured olpe showing Dionysos and a satyr, attributed to the Florence painter by J.R. Guy (inv. 86.30; cat. no. 60; BAPD 19167). Gift of Gilbert M. Denman, Jr. The deaccessioning statement:  "sold by Edoardo Almagià, New York, to the San Antonio Museum of Art, 1986". 

b. An Attic red-figured plate showing the head of a man (inv. 87.1; cat. no. 87.1; BAPD 19168). Museum Purchase: Grace Fortner Rider Fund. The deaccessioning statement: "found at Barbarano Romano, Italy, according to Edoardo Almagià; with Edoardo Almagià, New York, by 1986; sold by Edoardo Almagià to the San Antonio Museum of Art, 1987". Ian McPhee and A.D. Trendall had earlier suggested that it had been found in Cerveteri (1990). Barbarano Romano is to the south of Viterbo.

The third part of the return consists of 192 fragments of cups, also reported to have been found at Barbarano Romano, and stated to have been sold to Gilbert M. Denman, Jr. by Almagià in 1985.

c. An Attic black-figured Little Master cup (inv. 86.134.196a; cat. no. 178; BAPD 20266). Gift of Gilbert M. Denman, Jr.

d-j. Seven fragmentary Attic red-figured cups (inv. 86.134.196).

k. Other assorted fragments of cups, some red-figured some black-glossed (inv. 86.134.196).