Showing posts with label Lucanian. Show all posts
Showing posts with label Lucanian. Show all posts

Wednesday, 18 March 2009

"Found in a river": Tarentine coins for sale

Nomos AG of Zurich is offering a set of 4 silver diobols of Tarentum and a bronze lidded box in a Zurich sale (May 6, 2009; details). The sale is highlighted in a press release (July 25, 2008):
Nomos AG announces its first public auction of Fine Ancient and Early European Coins and Medals to be held on the afternoon of May 6th, 2009, in Zürich. The auction will take place at the Widder Hotel, a five star luxury facility in the center of town. Many major coins of great beauty and importance have already been consigned to the sale. The sale will be fully and expertly catalogued by Dr. Alan Walker, Director of Nomos AG, and will feature an elegant catalogue layout and design.
These Tarentine coins appears to be part of a group:
When found the box contained four diobols of Tarentum, all dating circa 280-228 (though probably in the earlier part of that period), and all with a helmeted head of Athena on their obverses and a standing figure of Herakles grappling with the Nemean Lion on their reverses.
The pieces formed part of the collection of Dr. Leo Mildenberg ("in 2000"). The catalogue entry suggests that the box surfaced in recent years:
According to the information that was supplied by Dr. Mildenberg, this box was found in a river and when the deposits that filled it were cleaned out, these four silver coins were found within it. This is by no means improbable: the box itself is probably slightly earlier than the coins, but idea that it contained them seems perfectly reasonable. Its small size implies it was meant to be used to hold relatively precious items. Given the kind of people who still brought things to Dr. Mildenberg in his later years, and this was brought to him a year or two before he died, it is very unlikely that anyone would have thought it worth while to create a fictitious history for the object (especially since the coins themselves were then of relatively minor value). It was undoubtedly shown to him because it was the kind of curiosity everyone knew he enjoyed seeing. In any event, being able to have the actual container in which the present coins were found is both exciting and romantic.
Mildenberg died in 2001 and this piece appears to have been acquired by him "in 2000" ("a year or two before he died"). Curiosity would prompt questions about the finders and previous owners of this box and its contents. What sort of people "still brought things" to Mildenberg "in his later years"?

A Lucanian nestoris sold by Mildenberg (see earlier discussion) was among the objects returned to Italy by the Museum of Fine Arts, Boston [abstract].

The box is also worthy of comment. The cataloguer (presumably Dr Alan S. Walker [for his views on cultural property see his revealing and frank review available from the web pages of the Committee on Ways and Means]) draws a parallel with a bronze "Box with relief-decorated lid" that once formed part of the Barbara and Lawrence Fleischman collection (A Passion for Antiquities no. 29) and now in the J. Paul Getty Museum (inv. 96.AC.87). (No previous publication, history or find-spot were noted for the Fleischman box.)

The coin cataloguer adds:
The box is so close in form to the Fleischman example, now Getty 96.AC 87 (dated to 350-310 BC), that one wonders whether it could have been made in the same atelier. While its cataloguers pointed out its resemblance to the cinerary urns used in Macedonian tombs (especially that of Philip II), the fact that this one surely came from Magna Graecia makes one wonder whether the Fleischman piece came from there as well.
Magna Graecia is another way of saying that this box with four silver coins minted at Tarentum came from southern Italy.

And if it was found in Italy, what was the date of its discovery? How and when did it leave the country?

(The cataloguer should, perhaps, note that the gold larnax from Tomb II at Vergina is unlikely to have belonged to Philip II given the implications of the weight inscriptions on the silver plate. [Abstract])

I am grateful to Nathan Elkins for drawing my attention to this lot.

Monday, 6 October 2008

Homecomings: Lucanian Pottery

Two pieces of Lucanian pottery have appeared in the "Nostoi" exhibitions. Both pieces are of the same shape, a nestoris (or trozzella). They have been attributed to the Amykos painter and were probably made in the vicinity of Metaponto in southern Italy. Both had been acquired by the Museum of Fine Arts (MFA) in Boston: 1971.49 and 1998.588.

The first was purchased from Dr Leo Mildenberg of Bank Leu AG, Zurich. (It appears to have been supplied with a fabricated history suggesting that the nestoris had passed through a Madrid private collection.) The MFA catalogue (no. 4) notes, "This nestoris may be the earliest known red-figure example".

The second piece had surfaced at Sotheby's in London in December 1982 (lot 298). The nestoris was subsequently placed on loan at the Borchardt Library, La Trobe University, Melbourne from 1988 to 1994; Ian McPhee of La Trobe University informed me in October 2006 that Mr G. Geddes made the loan though he may not have been "the actual owner at the time". The nestoris was then sold at Sotheby's in London (December 1996), purchased by Widgie and Peter Aldrich, and acquired by the MFA in 1998.

Graham Geddes appears to have acquired at least three other items that passed through the December 1982 Sotheby's (London) auction:
  • lot 201: Etruscan black-figured amphora, attributed to the Micali painter. On loan to the Museum of Mediterranean Antiquities, Monash University, Melbourne, Australia, March 1995 - April 2008. Due to be auctioned at Bonham's (London) October 15, 2008, lot 11.
  • lot 255: Attic back-figured neck-amphora, attributed to the painter of Vatican 365. Subsequently Sotheby's December 8, 1986, lot 327. [Beazley Archive 7462]
  • lot 291: Apulian red-figured calyx-krater, attributed to the Darius painter. This apparently passed into a private collection (1982-1994) before forming part of the Geddes collection in 1994; it was sold at Christie's New York in 2001.
This December 1982 sale at Sotheby's also included an Attic red-figured amphora attributed to the Berlin painter that has been returned to Italy from the Metropolitan Museum of Art in New York (and also featured in "Nostoi") (lot 220).

Geddes is reported to have formed one of the largest private collections of South Italian pottery in the world. He bought in good faith at auction, and was guided by Professor A.D. Trendall (see earlier comments). In 1996 Geddes himself said "I prefer to buy items with provenance".

What are the histories ("provenance") of these pieces prior to their surfacing at Sotheby's? Who consigned them?

The Afrati Armour in Harvard

Source: Harvard Art Museums The repatriation of the Afrati armour from New York's Metropolitan Museum of Art has implications for other ...