Michael C. Carlos Museum under renewed scrutiny

Left: image from Becchina archive.
Right: larnax in Michael C. Carlos Museum

Objects in the Michael C. Carlos Museum are under renewed scrutiny after the latest Becchina appearances of archaeological material from Greece in London. The museum has let the case go unresolved for 9 years; the story was broken in the Greek press more than 10 years ago.

There are three items: a Minoan larnax, a pithos, and a statue of Terpsichore.

It is about time that the curatorial team at the Michael C. Carlos Museum offered to return the items to Greece.

Becchina and the Funerary Markers from Greece

Marble loutrophoros from the Becchina archive.
Source: Dr Christos Tsirogiannis

Cambridge-based academic, Dr Christos Tsirogiannis, has identified two Attic funerary markers that have surfaced on the Swiss market (Howard Swains, "Looted antiquities allegedly on sale at London Frieze Masters art fair", The Guardian October 22, 2017). The items feature in the Becchina archive.

The marble lekythos and loutrophoros were displayed by Swiss-based dealer Jean-David Cahn at the Frieze Masters art fair in Regent's Park in London.

It appears that the items are being offered on behalf of the Swiss canton of Basel-Stadt. They had apparently formed part of the stock seized from Becchina's warehouse in Switzerland. (For more on this see here.)

Strangely the Swiss authorities are claiming that the Italian authorities have given permission for the material to be sold. But these two items are objects that were created in Attica for display in Attic cemeteries. They are from Greek, not Italian, soil.

The key question is this: did the Swiss authorities as well as Cahn contact the Greek authorities to check that the sale was acceptable? If the answer to this is no, then there has been a major breakdown in the due diligence process. Any responsible dealer would have known that they need to contact the Greek authorities for objects that would have been found in Greek funerary contexts.

This makes the statement from James Ratcliffe, counsel for the Art Loss Register sound ridiculous: “If [the Italians] are not reclaiming it, it’s then in this grey area where legally it’s seemingly OK ... As far as [the Swiss] were concerned, they were selling with good title. Now if that’s not the case, and information has emerged that’s contrary to that, then quite clearly that’s something we would say changes our view.” But if the two funerary objects came from Greece rather than Italy, then Ratcliffe's statement reflects his apparent lack of understanding of the reality of the situation.

Cahn is not unfamiliar with handling material from Greece. Items include the statue of Apollo that had been looted from Gortyn on Crete, and another Attic marble lekythos.

Incidentally, the Becchina archive also includes images of a Minoan larnax from Crete now in the Michael C. Carlos Museum. This case is currently unresolved.

These two ex-Becchina items are now toxic. The Basel authorities and Cahn would be best advised to arrange for them to be returned to Greece before the Greek authorities make a formal request and with it all the associated publicity.

Looting of archaeological sites in East Anglia

BBC Look East 17 October 2017

BBC Look East has covered the problem of looting on archaeological sites in East Anglia (October 17, 2017). The report covers the problem of illegal metal-detecting on the site of Great Chesterford, the response from the police (including PC Andy Long of Essex Constabulary) and landowners, as well as from metal-detectorists. Police will be installing cameras at key sites, as well as deploying drones to identify criminal activity.

The message that needs to get through is that archaeological contexts are being lost, and key pieces are not being reported.

The programme is available here for 24 hours.

BBC Look East 17 October 2017

Further statue from temple of Eshmun, Lebanon seized in New York City

Bull from temple of Eshmun, Lebanon.
Source: ARCA

ARCA (and other sources) has commented on the seizure of a second statue from the temple of Eshmun in Lebanon that had formed part of a New York private collection. The figure is holding an animal: a calf, sheep or goat. The collector is reported in the legal papers as Michael Steinhardt.

The marble bull's head that was also seized in New York is due to be returned to the Lebanon in the next two weeks.

Christos Tsirogiannis has established that the Beierwaltes, through whose hands the bull passed, were clients of Robin Symes. Is this the source for the bull?

And if so, did Symes handle the other statue?

And what other material removed from Lebanon could have passed through this route?

Postscript
Colin Moyniham, "Couple Drops Lawsuit Over Disputed Antiquity", New York Times, October 13, 2017: "The calf bearer sculpture passed though some of the same hands as the bull's head, according to the letter. It too had been excavated at Eshmun and was stolen from the Lebanese Republic, prosecutors said. It was then sold in 1996 by Mr. Symes for $4.5 million to the Beierwalteses, who later sold it to Mr. Steinhardt, Mr. Bogdanos wrote." The bull's head was purchased for $1 million in 1996.

Stonehenge and the National Trust

Stonehenge (c) David Gill

Stonehenge is part of one of the most important prehistoric (and historic) landscapes in England. A members' resolution has been presented to the National Trust AGM on Saturday (21 October 2017) that aims to protect and preserve the integrity of the UNESCO World Heritage site in the face of the proposed tunnel construction.

Members of the National Trust can vote on the resolution on-line here. Details of the resolution can be downloaded here.

The Heritage Journal lays out some of the concerns here.

• Details of the story from the BBC
• Rescue on the Resolution

Public Archaeology and Looting Antiquities

2017

A new volume, Key Concepts in Public Archaeology, edited by Gabriel Moschenska of UCL has been published (UCL Press) [open access pdf].

Readers of LM will find some of the chapters of interest.

Paul Burtenshaw ("Economics in public archaeology", pp. 31–42) touches on how to reduce looting and preserve sites by showing the economic benefits of heritage through tourism.

Don Henson ("Archaeology and education", pp. 43–59) shows how education can be used to reduce the risk of looting.

Roger Bland, Michael Lewis, Daniel Pett, Ian Richardson, Katherine Robbins, and Rob Webley write on "The Treasure Act and Portable Antiquities Scheme in England and Wales" (pp. 107–121). They have a section on the Staffordshire Hoard with the subtitle, "archaeology captures the public imagination". The authors respond to criticisms (without citing any studies; see the Forum discussion in Papers from the Institute of Archaeology apparently unknown to the authors) that the scheme has not stopped illegal metal-detecting, described by the term "nighthawking". It would have been helpful for the authors to have discussed the case of the so-called Crosby Garrett helmet (but discussed by me in a later chapter) or the Lenborough Hoard.

I have a chapter on "The market for ancient art" (pp. 187–200). This includes sections on the scale of the market, suggesting that there have been over-estimates used. I also discuss metal-detecting, the impact of the Medici Conspiracy, and the fabrication of object histories.

Aydin Dikmen and the forging of antiquities

Suzan Mazur has published a timely piece on Aydin Dikmen ("Anatolian Stargazer Fakes?—The Aydin Dikmen Connection", Huffington Post September 22, 2017). She raises the spectre that some of the more complete Anatolian "Stargazer" figures could be modern creations. 

Mazur notes the presence of such figures in the hands of Aydin Dikmen who was separately reported as having made the "best fakes" (though not specifically of Anatolian figures). Dikmen's basement in Konya was also reported to have been equipped to make objects from marble.

There are clear intellectual consequences if the insecure "Stargazers" are allowed to join the corpus of Anatolian figures that have been recovered from scientific excavations.

Owners of "Stargazers" that surfaced on the market since 1960 need to check their full histories.

It needs to be stressed that some of these "Stargazers" could indeed be ancient, but the absence of contextual information will make it difficult for their date to be authenticated.