Thursday, 10 December 2020

Funerary reliefs from Ostia

Funerary reliefs of the Caltilii.
Source: Tampa Museum of Art (L), The J. Paul Getty Museum (R).




The Italian Senator, Margherita Corrado, has raised the issue of funerary reliefs from the tomb of the Caltilii in Ostia ("Italian Senator Margherita Corrado commenting on two suspect Roman altars at the J. Paul Getty Museum and the Tampa Museum of Art", ARCA blog, December 8, 2020).  She has identified two Roman funerary reliefs that appear to come from a family burial area on the Via dei Sepolchri. One is in the J. Paul Getty Museum (inv. 83.AA.209), donated by Achille Moretti, and the other in the Tampa Museum of Art (inv. 1991.001), purchased by The Collectors. 

The Tampa relief is the monument of L. Caltilius Diadumenus (with a mention of L. Caltilius Euhodus) (AE 2001 [2004], no. 621, 'fouilles clandestines'), and the Getty shows the funerary altar of L. Caltilius Stephanus and Caltilia Moschis. Caltilia Moschis also appears in a second relief now in the Palazzo Mattei in Rome (and discussed in Roman Funerary Sculptures no. 27). The Getty relief surfaced in an exhibition, partly arranged with J. Frel, at Geneva's Musée d'histoire et d'art in 1982. Corrado's press release claims that documentation in the seized Becchina archive shows that Palladion Antike Kunst tried to sell the altar to a US museum on behalf of a Swiss-based collector. 

Did the curatorial team at Tampa investigate the history of the relief when concerns were raised about it in 2004? Who handled the relief before it was sold to Tampa?

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Monday, 12 October 2020

An EPC Kotyle from the Medici Dossier

EPC Kotyle from the Medici Dossier.
Courtesy of Christos Tsirogiannis.
Christos Tsirogiannis, Associate Professor at the University of Aarhus, has linked a photograph from the Medici Dossier with the reverse of an Early Protocorinthian kotyle that is due to be offered for auction at Christies  (New York) on October 13, 2020 (lot 27). Although only one side is shown on the Christie's online catalogue, Tsirogiannis requested an image of the reverse from the auction-house and this has confirmed that they are one and the same. I understand that the District Attorney's office in New York was informed on Friday last week. 

The kotyle is provided with a history:
  • Private Collection, U.K. 
  • Art Market, U.K. 
  • with Peter Sharrer Ancient Art, New York. 
  • Acquired by the current owner from the above, 1997.
It is currently owned by an anonymous 'distinguished private collector'.

Peter Sharrer has been linked with at least one objects that has been returned to Italy: a Roman relief that was returned from Princeton in 2002. Sharrer was also the source for objects acquired by the Fleischmans as well as the Getty, the Michael C. Carlos Museum and Princeton. He is known to have acquired items from Robin Symes.

Why are the UK dealer and private collector anonymous? Are they are unknown? And where is the mention of the anonymous European collector in Christie's history?

Will other museums and collectors who purchased directly or indirectly from Sharrer conduct due diligence on their acquisitions?

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Monday, 28 September 2020

Stela from Saittai (Lydia)


A Roman period stele from the sanctuary of Apollo at Saittai in Lydia, modern Turkey, has been recovered in Italy ("1,800-year-old artifact delivered to Turkey from Italy", Anadolu Agency 23 September 2020). It was seized in 1997 from an undisclosed antiquities dealer. The stela, inscribed in Greek, has now been returned to Turkey for display in Anakara. 

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Monday, 24 August 2020

Suspected illegal metal-detecting at Silbury Hill

Silbury Hill © David Gill
Silbury Hill © David Gill

There are reports from the Wiltshire Constabulary of "illegal metal detecting" at Silbury Hill, part of the Avebury prehistoric landscape. How can such activity be considered to be acceptable? 



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Another Bürki object returns to Italy

Source: MMA A psykter column-krater attributed to the Troilos painter was deaccessioned by New York's Metropolitan Museum of Art in June...