|Westminster © David Gill|
It made me reflect on what constituted cultural material with a "worldwide significance", perhaps prompted by some who wanted to ensure that they could continue to trade in low value pieces. (And readers might want to reflect on what pieces of cultural property have truly "worldwide significance".) Is there an over-reliance on the Red List (e.g. for Syria)? I have observed that some objects that appear to be derived from Syria and that are surfacing on the London market are in categories that do not feature in the list. Should we be concerned about them?
We await the formal minutes of the meeting.