The loan of one of the pedimental sculptures from the Parthenon to the Hermitage raises a number of issues about cultural property. I was presenting a research seminar on this topic in Cambridge last month and I was asked how the debates fit into the wider discussion of cultural imperialism.
One of the most helpful reviews attacking the position of the Encyclopedic museum as maintained by James Cuno, and Neil MacGregor, has been provided by Roger Bland of the British Museum.
I have been watching (UK) Channel 4's Time Team this evening. The programme looked at an undisclosed field (under a potato crop) where a Viking burial had been found. The location in Yorkshire was so sensitive that it was given a codename: Ainsbrook. Here is the summary: In late 2003 two metal detectorists were working in a field in Yorkshire. They found 'treasure' buried just beneath the surface – a collection of Viking material next to a body. Although they had been detecting on the site for a number of years, during which time they had made large numbers of finds, nothing they had uncovered previously compared with this. They decided to share their discovery with archaeologists.The programme explored the tension between metal-detectorists and the English Heritage sponsored archaeologists putting six trenches into the field based on a geo-physical survey. Finds made by the metal-detectorists did not easily map onto the archaeological features.
Christie's is due to display part of the former collection of the late George Ortiz in London in a non-selling show to mark the 25th anniversary of the exhibition at the Royal Academy. There is a statement on the Christie's website ("The Ortiz Collection — ‘proof that the past is in all of us’"). Max Bernheimer is quoted: ‘Ortiz was one of the pre-eminent collectors of his day’.
Bernheimer will, no doubt, wish to reflect on the Royal Academy exhibition by reading Christopher Chippindale and David W. J. Gill. 2000. "Material consequences of contemporary classical collecting." American Journal of Archaeology 104: 463-511 [JSTOR].
Bernheimer will probably want to re-read the two pieces by Peter Watson that appeared in The Times: , "Ancient art without a history" and "Fakes - the artifice b…
The post-excavation histories of objects are important as we map the that cultural property passes through collections and the markets. This is clear for an Attic black-figured amphora, attributed to Group E, that is due to be auctioned at Christie's New York on October 31, 2018 (lot 31). It shows Herakles and the Nemean lion, and Theseus and the Minotaur.
The auction catalogue claims that it surfaced in the hands of John Hewett in London in 1970 (or earlier), then to a private collection in Europe, followed by a series of auctions: A European private collection; Antiquities Sotheby's, London, 11 July 1988, lot 130thence to a private collection, New YorkAntiquities Christie's, New York, 15 December 1992, lot 81Antiquities Sotheby's, New York, 17 December 1996, lot 50Antiquities, Sotheby's, New York, 4 June 1998, lot 102
The amphora appears in the Beazley Archive (BAPD 350425). This provides the history sequence as follows (though in the list of auction catalogues s…