Skip to main content

What does "mint provenance" mean?

Marble loutrophoros from the Becchina archive.
Source: Dr Christos Tsirogiannis
The identification of a marble lekythos and a marble loutrophoros that had formed part of the stock of Gianfranco Becchina raises concerns about how the history of the objects was recorded.

The dealer, Jean-David Cahn, states:
In the past few years, the gallery has been rethinking its acquisition policy, pinpointing quality as well as provenance even more. Our profile is then to provide/show quality pieces with a strong expertise and mint provenance.
Were these two pieces offered with the information that they were linked to Becchina? What sort of due diligence process had been conducted by the gallery? Had the gallery contacted the Greek authorities to check that the objects had not been removed from the country illegally?

A "mint provenance" would provide the full, documented and authenticated history of the object from when it left the ground to the point of its present sale.

Bookmark and Share so Your Real Friends Know that You Know

Comments

Popular posts from this blog

The scale of the returns to Italy

I have been busy working on an overview, "Returning Archaeological Objects to Italy". The scale of the returns to Italy from North American collections and galleries is staggering: in excess of 350 objects. This is clearly the tip of the iceberg when it comes to the material that has surfaced on the market without a history that can be traced back to the period before 1970. 

I will provide more information in due course, but the researcher is a reminder that we need to take due diligence seriously when it comes to making acquisitions.

Stele returns to Greece

The Hellenic Ministry of Culture has announced (Saturday 8 September 2018) that a stele that had been due to be auctioned at Sotheby's in London in June 2017 has been returned to Greece (Friday 7 September 2018). The identification had been made by Cambridge-based forensic archaeologist Dr Christos Tsirogiannis.

It appeared that the stele had been supplied with a falsified history as its presence with Becchina until 1990 contradicted the published sale catalogue entry. It then moved into the hands of George Ortiz.

A year ago it was suggested that Sotheby's should contact the Greek authorities. Those negotiations appear to have concluded successfully.

The 4th century BC stele fragment, with the personal name, Hestiaios, will be displayed in the Epigraphic Museum in Athens. It appears to have come from a cemetery in Attica.



"Beating sites to death"

Policy decisions for protecting archaeological sites need to be informed by carefully argued positions based on data. Dr Sam Hardy has produced an important study, “Metal detecting for cultural objects until ‘there is nothing left’: The potential and limits of digital data, netnographic data and market data for analysis”. Arts 7, 3 (2018) [online]. This builds on Hardy's earlier research.

Readers should note Hardy's conclusion about his findings: "they corroborate the detecting community’s own perception that they are ‘beat[ing these sites] to death’".

Pieterjan Deckers, Andres Dobat, Natasha Ferguson, Stijn Heeren, Michael Lewis, and Suzie Thomas may wish to reflect on whether or not their own position is endangering the finite archaeological record. 

Abstract
This methodological study assesses the potential for automatically generated data, netnographic data and market data on metal-detecting to advance cultural property criminology. The method comprises the analysi…