Skip to main content

Cleveland Comment on Lack of "documentary confirmation"

Source: Cleveland Museum of Art
It is worth noting the way that the Cleveland Museum of Art has drawn comment from various sources (described by Director David Franklin as "that world") over its acquisition of the Drusus from an old Algerian collection, and the Merrin Mayan vase.

Here is a flavour:
The Drusus is now on the AAMD object register. Its collecting history is provided:
Fernand Sintes before 1960; sold at auction at Hôtel Drouot-Richelieu Paris on September 29, 2004, lot. no. 340, unknown purchaser; Phoenix Ancient Art, S.A.(2004); sold to the Cleveland Museum of Art by Phoenix Ancient Art in 2012.
It is perhaps noteworthy that the register entry makes the following comment (emphasis mine): "The Cleveland Museum of Art has provenance information for this work back to the 1960’s, but has been unable to obtain documentary confirmation of portions of the provenance as described below..."

Is the earliest documented surfacing of this portrait no earlier than 2004?

The Merrin Mayan vase has yet to be posted on the AAMD Register.

The Cleveland Museum of Art has also issued a press release ("Cleveland Museum of Art Acquires Two Stellar Antiquities Objects", August 13, 2012), no doubt to counter comment. It includes the alleged (and unsupported) collecting history:
The ownership history of the Drusus Minor portrait has been traced to the late 19th century, when it was the property of the Bacri family of Algiers, Algeria. Sometime before 1960, Fernand Sintes inherited the work, and in 1960 transferred it from Algiers to France. In 2004, it was sold at auction in France.

The Director, David Franklin, emphasises what he terms "responsible collecting" by the Museum:
“I am pleased we can add these important works of art to the museum’s Classical and Pre-Columbian holdings and continue our collecting of the finest examples of art from across cultures and time periods,” stated David Franklin, the Sarah S. and Alexander M. Cutler Director of the Cleveland Museum of Art. “I believe museums play an invaluable role in society as repositories and presenters of the world’s art history, and through responsible collecting, museums make accessible the world’s art objects for the public’s enjoyment and education.”
Perhaps Franklin will produce what appears to be the unauthenticated documentation to defend his acquisition.

Bookmark and Share so Your Real Friends Know that You Know

Comments

Popular posts from this blog

Marble bull's head from the temple of Eshmun

Excavations at the temple of Eshmun in Lebanon recovered a marble bull's head. It is now suggested that it was this head, apparently first published in 1967, that was placed on loan to New York's Metropolitan Museum of Art (Tom Mashberg, "Met Museum Turns Over Another Relic With Disputed Past to Prosecutors", New York Times August 1, 2017 ). The head is reported to have been handed over to the Manhattan district attorney after a request was received from the Lebanese authorities.

It is suggested that the head may have been looted from an archaeological storage area at Byblos in the 1980s during the Lebanese civil war. Mashberg has rehearsed the recent collecting history:
The owners of the bull’s head, Lynda and William Beierwaltes of Colorado, say they have clear title to the item and have sued Manhattan prosecutors for its return.  The Beierwaltes bought the head from a dealer in London in 1996 for more than $1 million and then sold it to another collector, Michael …

Sardinian warrior from "old Swiss collection"

One of the Sardinian bronzes of a warrior was seized from an as yet unnamed Manahattan gallery. It appears to be the one that passed through the Royal-Athena Gallery: Art of the Ancient World 23 (2012) no. 71. The collecting history for that warrior suggests that it was acquired in 1990 from a private collection in Geneva.

Other clues suggested that the warrior has resided in a New York private collection.

The identity of the private collection in Geneva will no doubt be telling.

The warrior also features in this news story: Jennifer Peltz, "Looted statues, pottery returned to Italy after probe in NYC", ABC News May 25 2017.

Attic amphora handed back to Italians

The research of Dr Christos Tsirogiannis has led to the return of an Attic red-figured amphora, attributed to the Harrow painter, to Italy (Tom Mashberg, "Stolen Etruscan Vessel to Be Returned to Italy", New York Times March 16, 2017).

The amphora is known to have passed through the hands of Swiss-based dealer Gianfranco Becchina in 1993, and then through a New York gallery around 2000 (although its movements between those dates are as yet undisclosed).

During the ceremony, Cyrus R. Vance, Jr., the District Attorney stated:
“When looters overrun historic sites, mine sacred spaces for prized relics, and peddle stolen property for top dollar, they do so with the implicit endorsement of all those who knowingly trade in stolen antiquities” More research clearly needs to be conducted on how material handled by Becchina passed into the North American market and into the hands of private and public collectors.