We seek papers that posit or contest African ownership of its cultural patrimony in the dual contexts of the relationship between African artworks in their contemporary locations (Western museums, Western private collections, the art historical construction of meanings), and the history of their origins as part of communities of objects, whose use in religious, ritual, secular, and social space formed part of knowledge systems and cultural heritage of particular African peoples. We particularly encourage submissions that interrogate the commodification of African cultural patrimony and cultural identities in the context of global capital, and examine the representational, legal, political, and cultural positions that support or deny African claims to ownership of historical art objects as relevant aspects of contemporary African cultural patrimony.Details here.
Discussion of the archaeological ethics surrounding the collecting of antiquities and archaeological material.
Friday, 14 August 2009
Cultural Property and Africa
There is a call for papers, "Critical Interventions: Journal of African Art History and Visual Culture", on Cultural Property from Africa:
Subscribe to:
Post Comments (Atom)
Worcester Art Museum Returns Hecht-linked Pots to Italy
Photo: Worcester Art Museum The Worcester Art Museum has returned two Attic pots to Italy; they are now back on loan to the museum (" W...
-
Source: Sotheby's A marble head of Alexander the Great has been seized in New York (reported in " Judge Orders Return of Ancien...
-
The Fire of Hephaistos exhibition included "seven bronzes ... that have been linked to the Bubon cache of imperial statues" (p. 1...
-
It appears that a bronze head acquired by the J. Paul Getty Museum from Nicolas Koutoulakis has been removed from display and appears to be...
No comments:
Post a Comment