We seek papers that posit or contest African ownership of its cultural patrimony in the dual contexts of the relationship between African artworks in their contemporary locations (Western museums, Western private collections, the art historical construction of meanings), and the history of their origins as part of communities of objects, whose use in religious, ritual, secular, and social space formed part of knowledge systems and cultural heritage of particular African peoples. We particularly encourage submissions that interrogate the commodification of African cultural patrimony and cultural identities in the context of global capital, and examine the representational, legal, political, and cultural positions that support or deny African claims to ownership of historical art objects as relevant aspects of contemporary African cultural patrimony.Details here.
Discussion of the archaeological ethics surrounding the collecting of antiquities and archaeological material.
Friday, 14 August 2009
Cultural Property and Africa
There is a call for papers, "Critical Interventions: Journal of African Art History and Visual Culture", on Cultural Property from Africa:
Subscribe to:
Post Comments (Atom)
Further Returns to Türkiye
Septimius Severus. Source: Ny Carlsberg Glyptotek It has been announced that the Ny Carlsberg Glyptotek in Copenhagen will be returning the ...
-
Source: Sotheby's A marble head of Alexander the Great has been seized in New York (reported in " Judge Orders Return of Ancien...
-
The Fire of Hephaistos exhibition included "seven bronzes ... that have been linked to the Bubon cache of imperial statues" (p. 1...
-
Courtesy of Christos Tsirogiannis There appears to be excitement about the display of 161 Cycladicising objects at New York's Metropolit...
No comments:
Post a Comment