Skip to main content

Publishing recently surfaced Mayan pots

Mike Smith has drawn my attention to a recent article in the Smithsonian Magazine (Chip Brown, "El Mirador, the Lost City of the Maya", May 2011). Smith notes:
The article includes photographs of several spectacular Maya polychrome vessels (p. 45) that apparently are not from the site. In fact, we have no idea where these vessels are from; they lack provenience. In a post on the Aztlan listserv today, Karen Bruhns identifies these vessels as unprovenienced, looted, objects.
One of the pieces has been identified as coming from the so-called November Collection. The point is made:
One might expect that magazines by and for wealthy art dealers might publish looted objects without a second thought. But Smithsonian Magazine is supposedly a legitimate source of news about natural history and related topics, associated with the premier museum in the U.S. Their inclusion of photos of looted objects is deplorable, a real ethical lapse.
Smith draws attention to an article in the New York Times (Susan Diesenhouse, "Arts in America; Looted or Legal? Objects Scrutinized at Boston Museum", July 30, 1998). The discussion seems to be familiar:
Museum officials curtly rejected a request from Guatemala to eventually return a 138-piece collection of Mayan art that is the jewel of its pre-Columbian display. In a two-paragraph letter written a month ago to a Guatemalan official, Malcolm Rogers, director of the museum, said that its board of trustees ''found no basis'' for Guatemala's ownership claim because the country could not produce legal title to the pieces.
It looks as the Smithsonian needs to revisit its publication policy.

Bookmark and Share so Your Real Friends Know that You Know

Comments

Popular posts from this blog

Marble bull's head from the temple of Eshmun

Excavations at the temple of Eshmun in Lebanon recovered a marble bull's head. It is now suggested that it was this head, apparently first published in 1967, that was placed on loan to New York's Metropolitan Museum of Art (Tom Mashberg, "Met Museum Turns Over Another Relic With Disputed Past to Prosecutors", New York Times August 1, 2017 ). The head is reported to have been handed over to the Manhattan district attorney after a request was received from the Lebanese authorities.

It is suggested that the head may have been looted from an archaeological storage area at Byblos in the 1980s during the Lebanese civil war. Mashberg has rehearsed the recent collecting history:
The owners of the bull’s head, Lynda and William Beierwaltes of Colorado, say they have clear title to the item and have sued Manhattan prosecutors for its return.  The Beierwaltes bought the head from a dealer in London in 1996 for more than $1 million and then sold it to another collector, Michael …

The Toledo skyphos and a Swiss private collection

The Attic red-figured skyphos attributed to the Kleophon painter in the Toledo Museum of Art (inv. 1982.88) is now coming under further scrutiny following the research of Dr Christos Tsirogiannis. The skyphos shows Hephaistos returning to Olympos.

Tsirogiannis has identified what appears to be this skyphos in five photographs in the Medici Dossier. The museum acknowledged that the skyphos had resided in a 'private Swiss collection'. Tsirogiannis suggests that this is probably a reference to Medici.

Enquiries to the museum by Tsirogiannis elicited the information that the skyphos had been acquired from Nicholas Koutoulakis (although that information does not appear on the museum's online catalogue).

The curatorial team at the Toledo Museum of Art will, no doubt, be contacting the Italian authorities to discuss the future residence of the skyphos.

For further discussion of the Toledo Museum of Art on LM see here.

Reference
Tsirogiannis, C. 2017. "Nekyia: Museum ethics an…

Metropolitan Museum of Art hands over Paestan krater

In May 2014 I commented on a Paestan krater acquired by New York's Metropolitan Museum of Art after it had been identified by Dr Christos Tsirogiannis in photographic images seized from Giacomo Medici. Tsirogiannis published his full concerns in the Journal of Art Crime in 2014, but it has taken a further three years for the museum to respond.

The krater showing Dionysos in a hand-drawn cart was purchased in 1989 from the Bothmer Purchase Fund (details from the Museum's website, inv. 1989.11.4). The krater surfaced through Sotheby's New York in June 1989.

It is unclear who consigned the krater to Sotheby's New York.

It has now been revealed that the krater has been handed over to the US authorities after a warrant had been issued (Tom Mashberg, "Ancient Vase Seized From Met Museum on Suspicion It Was Looted", New York Times July 31, 2018).

It appears that the museum did make an attempt to resolve the case in December 2016. Mashberg notes:
The Met, for its par…