The hoard had been acquired over several years (1981, 1982 and 1984) by New York's Metropolitan Museum of Art (see earlier comments). It had been sold by Robert Hecht who is reported to have made over $2 million profit from the transaction. (Hecht is currently on trial in Rome.)
Malcolm Bell has talked about his work at Morgantina (Elizabeth Wilkerson, "Underground tale told: Malcolm Bell and the case of the missing silver", University of Virginia Magazine December 12, 2001).
In 1996 the Italian government asked Bell to excavate the hill where he’d seen the clandestine work.One of the key issues was the interpretation of insctriptions that appeared on two of the pieces. They had originally been read as "from the war", perhaps indicating that they had been ancient booty that had been dedicated in a sanctuary as a thank-offering. Bell, however, realised the significance:
“As we dug down, it was very disconcerting, because the soil was entirely churned up. What the clandestine workers had done was to start in one room, empty it out and then dig the room right next to it. Their strategy was to empty each room so they could get to the floor.”
When Bell and his crew reached the floors, they found two large holes that correspond to the size of the lots bought by the Met. They also found a 1978 Italian coin that helped pinpoint the time of the looting.
When, after several requests, Bell was allowed to examine the silver at the Met in 1999, he puzzled over a lightly scratched inscription on the bottom of two of the pieces. Translated by the museum curator as “from the war,” the words suggested that the silver had been buried as the city was being captured.Details of the find can be found in Franco De Angelis' summary (p. 177). The location for the burial appears to have been in a Greek house in the western part of the city. A full discussion can be found in Guzzo.
Instead of “from the war,” Bell realized, the word was the possessive form of the name Eupolemus. The name represented the owner’s claim to the silver.
“We don’t have too many names from ancient Morgantina, but we do have the name Eupolemus,” Bell said. A lead tablet in the Morgantina museum bears the name — and the tablet is the deed to a house in the area where Bell had found the looters’ tracks.
“It was almost like meeting the man. It was one of those moments of epiphany when you realize something makes far more sense than you had thought,” said Bell.
The hoard will go on display at the Museo Archeologico Regionale Antonino Salinas di Palermo from June 2010.
Bell, M. 1997 . "La provenienza ritrovata: cercamdo il contesto di antichità trafugate." In Antichita senza provenienza II: Atti del colloquio internazionale [Viterbo] 1997, edited by P. Pelagatti and P. G. Guzzo: 31-41. Bollettino d'arte suppl. to nos. 101-2. Rome.
De Angelis, F. 2000-2001. "Archaeology in Sicily 1996-2000." Archaeological Reports 47: 145-201. [JSTOR]
Guzzo, P. G. 2003. "A group of Hellenistic silver objects in the Metropolitan Museum." Metropolitan Museum Journal 38: 45-94. [JSTOR]