Fordham's Villanovan Hut

It appears that Fordham University is not a stranger to "illicit antiquities". It appears that an impasto "cinerary hut urn" (inv. 4.021) given to the university by William and Jane Walsh (presumably in 2006) had an interesting collecting history. Jennifer Udell has stated that the urn was "illegally excavated, exported, and sold at auction". In fact, the urn was not "excavated" but rather "dug up" or "looted". And where was it sold at auction?

In 2010 the legal title to the hut was handed over to Italy, and the Italian authorities have placed the hut on long-term loan at Fordham.

Interestingly there does not appear to be anything in the press releases for Fordham or the Italian Ministry of Culture. But credit to Udell for making this information public.

We should not forget the bronze Villanovan hut in Princeton. Will that be handed over to the Italian authorities?

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Codename: Ainsbrook

I have been watching (UK) Channel 4's Time Team this evening. The programme looked at an undisclosed field (under a potato crop) where a Viking burial had been found. The location in Yorkshire was so sensitive that it was given a codename: Ainsbrook. Here is the summary:
In late 2003 two metal detectorists were working in a field in Yorkshire. They found 'treasure' buried just beneath the surface – a collection of Viking material next to a body. Although they had been detecting on the site for a number of years, during which time they had made large numbers of finds, nothing they had uncovered previously compared with this. They decided to share their discovery with archaeologists.The programme explored the tension between metal-detectorists and the English Heritage sponsored archaeologists putting six trenches into the field based on a geo-physical survey. Finds made by the metal-detectorists did not easily map onto the archaeological features.

Part of the programme had an …

George Ortiz collection to be displayed in London

Christie's is due to display part of the former collection of the late George Ortiz in London in a non-selling show to mark the 25th anniversary of the exhibition at the Royal Academy. There is a statement on the Christie's website ("The Ortiz Collection — ‘proof that the past is in all of us’"). Max Bernheimer is quoted: ‘Ortiz was one of the pre-eminent collectors of his day’.

We recall the associations with Ortiz such as the Horiuchi sarcophagus, the Hestiaios stele fragment, the marble funerary lekythos, and the Castor and Pollux.

Bernheimer will, no doubt, wish to reflect on the Royal Academy exhibition by reading Christopher Chippindale and David W. J. Gill. 2000. "Material consequences of contemporary classical collecting." American Journal of Archaeology 104: 463-511 [JSTOR].

Bernheimer will probably want to re-read the two pieces by Peter Watson that appeared in The Times: , "Ancient art without a history" and "Fakes - the artifice b…

Adding to the history of an Attic black-figured amphora

The post-excavation histories of objects are important as we map the that cultural property passes through collections and the markets. This is clear for an Attic black-figured amphora, attributed to Group E, that is due to be auctioned at Christie's New York on October 31, 2018 (lot 31). It shows Herakles and the Nemean lion, and Theseus and the Minotaur.

The auction catalogue claims that it surfaced in the hands of John Hewett in London in 1970 (or earlier), then to a private collection in Europe, followed by a series of auctions:
A European private collection; Antiquities Sotheby's, London, 11 July 1988, lot 130thence to a private collection, New YorkAntiquities Christie's, New York, 15 December 1992, lot 81Antiquities Sotheby's, New York, 17 December 1996, lot 50Antiquities, Sotheby's, New York, 4 June 1998, lot 102 The amphora appears in the Beazley Archive (BAPD 350425). This provides the history sequence as follows (though in the list of auction catalogues s…