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Intellectual Consequences of Forgeries

I attended the Second AHRC Workshop | Art, Crime and Criminals: Painting Fresh Pictures of Art Theft, Fraud and Plunder at RUSI in London yesterday. I was very struck that some of the issues that I have explored with Christopher Chippindale in our work on Cycladic sculptures were emerging for other works of art and from so many different cultures. Undetected forgeries corrupt the corpus of knowledge and undermine the genuine pieces.

Some of the lessons derived from the conference should be that academics need to be more cautious about providing attributions and opinions as these can be used to authenticate the forgeries. Secondly, the due diligence needs to be far more rigorous.

I will be revisiting Cycladic figures in February as part of a presentation in Cambridge and I expect modern creations will feature in the discussion.

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