Skip to main content

Looking Ahead: 2017

As we look ahead for 2017 there are likely to be some key themes.

The Cultural Property (Armed Conflicts) Bill is likely to complete its passage through Parliament and pass onto the statute book. However it is likely to be applicable to material coming from conflict areas in the Middle East and a new legal response will be required. I also remain unconvinced that there is sufficient resource within London (and certainly not outside it) to enforce the legislation. The Cultural Property APPG will be changing its focus to museums and there is likely to be discussion about repatriation.

It is not clear how Brexit negotiations and intentions will affect the protection of the UK's cultural property or co-operation with other European nations to enforce the restrictions on movement of recently surfaced cultural property. The Heritage Alliance is clearly watching this brief.

Due diligence is a theme that has emerged from the Cultural Property (Armed Conflicts) Bill. Although we hear that auction houses and galleries are conducting due diligence checks, it is also clear that suspect material continues to surface on the market (including known material from Syria). There is a need to move away from an over-reliance on art databases, and to replace it with solid research on the authenticated collecting histories.

Even so, I suspect that we will see more material identified from the Schinoussa, Medici and Becchina archives.

Heritage Crime is a continuing problem in the UK. I am acutely aware that the theft of lead from medieval churches in East Anglia is damaging the fabric of some of the finest heritage structures we have in the region. However it is also clear that there is a passive acceptance in most of the archaeological and heritage communities of the use of metal-detectors on archaeologically sensitive sites in England and Wales.

I am also aware that heritage more broadly, and archaeology more specifically, will need to be seen to be contributing to the economy of the UK (and indeed other countries). Some of these broader trends will be addressed though our research unit, Heritage Futures (heritagefutures.org.uk), in collaboration with Professor Ian Baxter.

Bookmark and Share so Your Real Friends Know that You Know

Comments

Popular posts from this blog

The Getty Kouros: "The moral is, never ever buy a piece without a provenance"

In the wake of the 1992 Athens conference to discuss the Getty kouros (85.AA.40), one of the delegates, a "distinguished" American museum curator, was quoted ("Greek sculpture; the age-old question", The Economist June 20, 1992):
The moral is, never ever buy a piece without a provenance.
The recent discussions about the return of antiquities from North American museums to Italy and Greece may seem far removed from the acquisition of what appears to be a forged archaic Greek sculpture in the 1980s. However, there are some surprising overlaps.

The statue arrived at the Getty on September 18, 1983 in seven pieces. True (1993: 11) subsequently asked two questions:
Where was it found? As it was said to have been in a Swiss private collection for fifty years, why had it never been reassembled, though it was virtually complete?
A similar statue surfacing in the 1930s
A decision was taken to acquire the kouros in 1985. The official Getty line at the time (and reported in Russell…

Symes and a Roman medical set

Pierre Bergé & Associés of Paris are offering a rare Roman bronze medical set (16 May 2018, lot 236). Its recorded history is: "Ancienne collection Hishiguro, Tokyo, 1992". The catalogue entry helpfully informs us that the set probably came from a burial ("Cette trousse de chirurgien a probablement été découverte dans une sépulture ...").

The set appears to be the one that has been identified by Dr Christos Tsirogannis from an image in the Schinousa archive thus linking it to Robin Symes.

Given that the catalogue entry suggests that this piece came from a funerary context and that the history of the piece can only be traced back to 1992 (and not to 1970), questions are being raised about the set's origins.

What due diligence was conducted on the medical set prior to offering it for sale? Did Symes sell the set to Hishiguro? How did Symes obtain the set? Who sold it to him?

I understand that the appropriate authorities in France are being informed about the …

The Minoan Larnax and the Michael C. Carlos Museum

I was recently asked to comment on the acquisition of recently surfaced antiquities in Greece as part of an interview. One of the examples I gave was the Minoan larnax that was acquired by the Michael C. Carlos Museum. Although this piece has been discussed in the Greek press, the museum has not yet responded to the apparent identification in the Becchina archive.

Is the time now right for the Michael C. Carlos Museum or the wider authorities at Emory University to negotiate the return of this impressive piece so that it can be placed on display in a museum in Greece?