The Michael C. Carlos Museum's mission is to collect, preserve, exhibit, and interpret art and artifacts from antiquity to the present in order to provide unique opportunities for education and enrichment in the community and to promote interdisciplinary teaching and research at Emory University. The permanent collection of a museum is the core of its identity; it provides the foundation for its research, exhibitions, and educational outreach. The Carlos Museum strengthens its ability to serve its audiences by making acquisitions of art and artifacts for its permanent collection through gift, bequests, or purchases.
Many factors contribute to a work's suitability for acquisition, including artistic quality, intellectual appeal, historical importance, attributes which foster understanding of a particular culture or artistic movement, and, above all, a credible provenance, or history of ownership.
Central to the Carlos Museum's mission is the thorough research and documentation of each work of art in the permanent collection to determine its historical and social context and provenance. Museum scholars and curators carefully research each proposed acquisition. Works must have a history of documentation in order to follow the Museum's collecting guidelines of the United Nations Educational, Scientific and Cultural Organization (UNESCO) Convention on Cultural Property, adopted into law by the United States in1983. That legislation, which informs the Carlos' collecting policy, dictates that works must have been exported from their countries of origin prior to 1983 or be accompanied by a valid export license from their countries of origin. The Museum will not knowingly acquire any object which has been illegally exported from its country of origin or illegally imported into the United States. Any object surrounded by the suggestion of being illegitimate will not be acquired. Additionally, the Museum does not acquire objects that it has reason to believe were obtained by seizure during times of war.
As an accredited member of the American Association of Museums since 1991, the Carlos Museum is not alone in embracing these standards-- all museums of the Carlos Museum's stature follow similar collecting policies. Acquisitions are not treasures to be collected like trophies. Each object is a window to the past and a pathway into a culture. Through art and artifacts, we learn more about the people and their beliefs and explore these ideas in the context of our lives today. The growth of the permanent collection in size and quality enables the Museum to realize its mission of sharing these cultures with the widest audience possible.
Thursday, 25 September 2008
From Atlanta to Athens: Press Statement
While in Greece I was able to follow up the news story about the request by the Greek Government for the return of three pieces from the Michael C. Carlos Museum at Emory University. I will be commenting on the detail shortly but I received this press statement from Priyanka Sinha at Emory University who confirmed that there are on-going negotiations.
Left: Larnax shown in the Becchina archive Right: larnax in the Michael C. Carlos Museum The return of the Steinhardt Minoan larnax to Greec...
Photo: Becchina Archive Source: Christos Tsirogiannis An Attic black-figured amphora attributed to the manner of the Princeton painter has b...
Source: Sotheby's A marble head of Alexander the Great has been seized in New York (reported in " Judge Orders Return of Ancien...
James Cuno (in Who Owns Antiquity? ) takes six objects from the holdings of the Art Institute of Chicago to demonstrate its character...