Every fragment was described and reproduced. Their provenance, such as we knew it, was indicated. And the objects became the subject of study in seminars and other classes. [p. 22]Cuno wrote the "Director's Foreword" for the Harvard catalogue. He noted the origin of the fragments:
These had been collected by J. Robert Guy, currently Humfry Payne Senior Research Fellow in Classical Archaeology and Art at Oxford.They were apparently purchased indirectly. Cuno wrote:
When I first saw the fragments we would soon acquire in 1995 ... Lying flat in drawer after drawer in a dealer's shop ...The acquisition was made with the help of:
- Jonathan H. Kagan
- Mr & Mrs Evangelos Karvounis
- Ian M. Watson McLaughlin
- Nicholas S. Zoullas
Cuno now adds:
We discussed the matter with the dealer and collector and got more provenance, but only some; all that could be found. [p. 22]Who was the dealer? What was the additional information? What were the sources for the pieces? Is it certain that the fragments were known prior to the 1970 UNESCO Convention?
Catalogue
Attic Black-figure: nos. 1-11
Unattributed Attic Black-figure (Cups): nos. 12-20
Unattributed Attic Black-figure (Vessels): no. 21
Chalcidian Black-figure: no. 22
Corinthian Black-figure: no. 23
Laconian Black-figure: nos. 24-25
Etruscan Black-figure: nos. 26-27
Attic Red-figure: nos. 28-118
Unattributed Attic Red-figure (Cups): nos. 119-171
Attic White-ground: no. 172
Unattributed Attic Red-figure (Vessels): nos. 173-181
Apulian Red-figure: no. 182
Reference
Paul, A. J. 1997. "Fragments of antiquity: drawing upon Greek vases." Harvard University Art Museums Bulletin 5: 1-87. [WorldCat]
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