Friday 7 November 2008

Gianfranco Becchina: some recent links

It is three years since the relentless return of antiquities from museums and collections to Italy started. One of the first items to return was the "Asteas krater" from the J. Paul Getty Museum
("Vase seized by ICE from Getty Museum returned to Italy", States News Service, November 10, 2005; see also the Getty press release October 3, 2005). The piece, made in the region of Paestum in southern Italy, was handed over to the Italian authorities and flown back to Rome.

It was reported that the krater had been discovered in the 1970s; the finder exchanged it, reportedly, for a pig. By 1978 the pot was in a "private collection" in Switzerland where it was seen by a curator from the Getty. The krater was then placed on loan to the Getty and purchased three years later from Gianfranco Becchina for US $275,000. The first official request for the krater's return was made in 1999.

Among the other returns from the Getty to Italy was an Attic red-figured amphora showing Herakles and Apollo struggling for the tripod (formerly inv. 79.AE.139). It was purchased in 1979 from Palladion Antike Kunst, Basel. This gallery was run by Becchina's wife, Ursula Juraschek, also known as "Rosie".

Palladion Antike Kunst handled three items that have been returned to Italy by the Museum of Fine Arts, Boston:
  • Attic black-figured hydria, attributed to the circle of the Antimenes painter (formerly inv. 1979.614)
  • Attic red-figured pelike, attributed to the Nausicaa painter (formerly inv. 1979.40)
  • Apulian bell-krater, attributed to the Hoppin painter (formerly inv. 1988.532)
These three pieces are discussed in detail by Gill and Chippindale.

Becchina also sold the controversial kouros to the J. Paul Getty Museum in 1985. He has been the focus of attention during the Rome trial of Robert Hecht and Marion True (Elisabetta Povoledo, "Focus in Getty trial shifts to a Sicilian antiquities dealer." New York Times April 27, 2006: 3). Povoledo reported:
In more than four hours on the stand, Giuseppe Putrino, an officer with the art theft squad of the Italian military police, or carabinieri, expounded on documents, including faxes, invoices, money transfers, letters and Polaroid photographs, confiscated during police raids on Mr. Becchina's warehouses in Basel and his home in Castelvetrano, Sicily.
There are likely to be more revelations.

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