Meyer starts his review:
A seasoned reporter with an Oxford degree in Middle East studies, Sharon Waxman has updated and surpassed my explorations, in part because the outcry over the illicit traffic has reached fever pitch, provoking voluble, angry and indiscreet utterances from curators, collectors, dealers and a new breed of watchdogs, viz.: “You end up thinking we’re all a bunch of looters, thieves, exploiters, that we’re some kind of criminals … but who would be interested in Greek sculpture if it were all in Greece? These pieces are great because they’re in the Louvre.” So protests Aggy Leroule, the Louvre’s press attaché ...
He continues:
The first merit of Waxman’s book, the best on its subject, is her verbatim account of conversations with everybody who matters in the antiquities trade. This is especially true of her candid exchanges with the staffs and their overlords at the Louvre, the Met, the British Museum and the mega-endowed (circa $6 billion) J. Paul Getty Museum.
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