Friday, 2 July 2010
A Krater from a Swiss Private Collection
What do such anonymous private collections hide? Where is the transparency?
And do museum curators try to investigate such anonymous "collectors"? Or do they take the information on trust?
What does it say about the "due diligence" process?
Do museums investigate when questions are raised?
Detail of an Attic volute-krater showing a Dionysiac scene once in a Swiss "private collection" and featured in the Symes Dossier seized on Schinoussa (courtesy of Christos Tsirogiannis).
Photo: Becchina Archive Source: Christos Tsirogiannis An Attic black-figured amphora attributed to the manner of the Princeton painter has b...
Source: Sotheby's A marble head of Alexander the Great has been seized in New York (reported in " Judge Orders Return of Ancien...
Source: Christos Tsirogiannis Associate Professor Christos Tsirogiannis of Aarhus University has identified a Roman marble statue that surfa...
James Cuno (in Who Owns Antiquity? ) takes six objects from the holdings of the Art Institute of Chicago to demonstrate its character...